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©2007-2009 *Mlle-Relda
:iconmlle-relda:

Artist's Comments

"Isn't life a series of images that change as they repeat themselves...?"

Aaah, I have a shit-load of random Andy Warhol doodles in a folder that is falling apart! Therefore, I thought I could gather my favourites in upload them all together. I think the term is a "sketch-dump"! Starting from the first row on the left:

Thinking Helmet Andy - In the wonderful 1996 independent film Basquiat, the role of Andy was played exquisitely by one of my long-time idols, David Bowie. His close friend, a rising artist named Jean-Michel Basquiat (played by Jeffrey Wright), and Andy have been collaborating together, but Basquiat has a nasty habit of painting out everything Andy does, and Andy's own lack of inspiration has been troubling him. Later, Basquiat would chopped off his famous deadlocks and glued them on the outside of a football helmet as a gift to Andy. Andy, on receiving the present, wears it with a sigh. It is one of my favourite scenes in the film!

Walkman Andy - With the invention of the Sony Walkman in 1979, Andy was rarely seen without his trusty cassette-based Walkman in the 1980s.

Gerbil-Cheeked Andy - In his book Philosophy of Andy Warhol: From A to B and Back Again, one of my favourite discussions in the book is about the art of dinner talk. He envied people who mastered the talent of eating and talking at the same time, and how they were able to pass conversation from person to person after they finished each bite. However, when people pass the conversation to him, an embarrassed Andy would have just finished stuffing his mouth full of mashed potatoes, and his friends would have to wait for him to chew and shallow before he spoke. (Awww!)

Smokin' Andy - Another snippet from his Philosophy book, Andy rarely smoked in public unless he was at the airport. He loved sitting at random restaurants at the airport to smoke and munch on a bowl of free honey-roasted peanuts!

"Sunglasses at Night" Andy - Some of my favourite self-portraits of Andy were taken from photo-booths in the 1960s! One of these photo-booth snapshots was used for a 37-cent Andy Warhol stamp in 2002. (I have a beautiful FDC of this stamp!)

Poloroid Andy - Andy, looking smug, with his Polaroid Big Shot. He was purportedly fond of this eccentric camera, which was for portrait use only, and had a fixed focal distance of three feet. Andy loved snapping portraits of celebrities; he would then hand the camera to the celebrity to take a portrait of him.

Blue Jean Andy - This was based off a portrait of him done by Nat Finkelstein. Andy enjoyed Levi's!

Perfume Thief Andy - Yet another drawing from the pages of his Philosophy book and I had originally planned to make a comic of this, but I never finished it. During parties, Andy had an adorable habit of ducking into hosts' bathroom and raiding through their collection of perfumes and/or colognes. When he would find a new smell or an old smell he liked, he would spray all over him, then spend the rest of the party avoiding the hosts, worrying that they would recognise "his" scent.

Phonin' Andy - In his New York City studio called the Factory, located on the fifth floor at 231 East 47th Street in Midtown Manhattan, an old rotary pay-phone hung at next to the entrance door. All Andy's phone calls, business and personal, came from that pay-phone. I drew this while watching the 1996 independent film, I Shot Andy Warhol.

Scarred Andy - In 03 June 1968, a radical feminist writer and Factory irregular Valerie Solanas shot Andy Warhol three times in the chest. He was rushed to the hospital and nearly died. Doctors had to cut open his chest and massaged his heart to help stimulate its movement again. He suffered physical and mental effects for the rest of his life; he had to wear a corset, for example, to support his abdomen and would jump whenever he heard an elevator bell; the Factory scene, also, became more tightly controlled. This was based off an emotional photograph, where Andy pulled down his corset to reveal his large, horrific scars. This photograph always touched me because Andy was presenting his vulnerabilities to the world, which was exceptionally brave of him to do.

Andy and Archie - Andy was a renowned cat-lover, but by the 1970s, his interest with cats faded into dogs. He got a short-haired black-and-brown dachshund named "Archie" and they became inseparable! He took the dog everywhere — to work, to his studio, to art premieres, to dinners, to photo-shoots, etc. As he held Archie during interviews, when Andy did not want to answer a particular question, he would simply deflect the questions to Archie. (I accidentally made Archie's head too big, oops! Also, I have a limited edition Warhol stuffed doll and, in his lap, I gave him a little plastic dachshund which I named "Archie.")

Tighty-Whitey Andy - Andy wore tighty-whities! He was very, very meticulous about his underwear. He had to buy Jockey Briefs, had to be white, had to be cotton, had to have the comfortable elastic bands, had to have the same packaging, same washing instructions, same forty-nine word description, and he always had to buy them in bulk!

Artistic Andy - "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it."

Models - Andy Warhol

Medium - Photoshop, HB graphite, 2B graphite, 4B graphite, 6B graphite, 8B graphite.

Andy Warhol © Diane N. Tran.

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:iconmouselady:
I miss your 'Andy' ! :love: I love all the representations you have of him of course;
but my faves are Walkman Andy, Gerbil-Cheeked Andy (and I can identify with his
situation! XD ), Smoking Andy, Andy and Archie, Coloured Andy and Artistic Andy.
Though that was awfully brave of him to show his scars like that! I didn't
know someone had tried to kill him once; but then, what I know of Andy Warhol
wouldn't even fill a thimble. :blush:

All that you tell me of him shows me a person who was so delightfully quirky that
I think we might actually have gotten along well. :nod:

The artwork, as always, is marvelous! Much as I've always enjoyed your mouse/rat
art, portraying Andy as an avian was a good call. Andy, you RULE!!! :worship: :worship: :rose: :rose: :rose:
(And so do you, Di! :cuddle: )

--
A good thing to remember is somebody's got it a lot worse than we do. ~Joel Osteen

No man is poor who can do what he likes to do once in a while!
~Scrooge McDuck
:iconouterglow:
the weener dog is so flippin' cute! :D

--
You've just been Ninja'd!!
Items For Sale: [link]
"I may not be the best, but damn it I'm trying!"
:iconmlle-relda:
Thanks. ;)

--
"P-p-please, Eddie, you know there's no justice for toons anymore? If the weasels get their hands on me, I'm as good as dipped" (Roger Rabbit).
:iconmlle-relda:
I miss him too. I'm happy to bring him back though. I still draw him, but not as much as I would like. I should get crackin' on that, lol. I'm very happy that you liked this.

Yes, Valerie Solanas was a wacko. And Andy barely survived his assassination attempt. He was in the hospital for over three weeks, stayed home for six weeks before coming back to the Factory. He was still very weak and his chest would sometimes start bleeding at the most inopprotune times. Closeup of his scars: [link]

Don't worry about not knowing much about him. He often said there was really nothing to really know about him. Andy's greatest work of art was Andy himself. :blowkiss:

The reason Andy's a parakeet is because of DWD. Andy was Splatter Phoenix's idol, mentor, and crush. They were close friend until his death in 1987.

--
"P-p-please, Eddie, you know there's no justice for toons anymore? If the weasels get their hands on me, I'm as good as dipped" (Roger Rabbit).
:iconmlle-relda:
I miss him too. I'm happy to bring him back though. I still draw him, but not as much as I would like. I should get crackin' on that, lol. I'm very happy that you liked this.

Yes, Valerie Solanas was a wacko. And Andy barely survived his assassination attempt. He was in the hospital for over three weeks, stayed home for six weeks before coming back to the Factory. He was still very weak and his chest would sometimes start bleeding at the most inopprotune times. Closeup of his scars: [link]

Don't worry about not knowing much about him. He often said there was really nothing to really know about him. Andy's greatest work of art was Andy himself. :blowkiss:

The reason Andy's a parakeet is because of DWD. Andy was Splatter Phoenix's idol, mentor, and crush. They were close friend until his death in 1987.

--
"P-p-please, Eddie, you know there's no justice for toons anymore? If the weasels get their hands on me, I'm as good as dipped" (Roger Rabbit).
:iconmisscassidy:
Hmm

I love your character sketch dumps. The roughness of each sketch remains and one can see the progression from idea to finished concept in each piece.

The research behind each sketch is also wonderful, for those who are not familar with Andy Warhol the artist, this is a wonderful opportunity for learning and it opens the floodgates in respect to the viewer asking the question why? Why did you chose those particular scenes from Warhols life? Why did you choose the animal you did to represent him? What significance does he have for you, the artist, and why, as a viewer, should I be interested?

Is there a purpose behind this, what aspects of the character are you trying to bring to the viewers attention?

But that's your art, the amazing thing is that you give the viewer snippets, tastes of the potential of unique and inventive pastiched characters based on historical figures.

On a technical side the natural range of expressions and mood is your strong point. Your characters lend themselves in the simplicity of the lines to be ideal for animation. You can get the most subtle of expressions without too much effort. The characters just flow living from the page.

--
Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks
Under the look of fatigue, the attack of migrane and the sigh
There is always another story, there is more than meets the eye.
-
:iconmouselady:
That's right! We did some DWD stuff at the BOBS Forum, and that's when you introduced me to
Andy. I can imagine Splatter would be among his disciples! :nod:

Well, I feel better now about not knowing Andy much...sounds like he'd have understood. ^__^
(Just getting to know myself has become a full-time job these days. ;P )

*sucks in her breath* Poor Andy! That must have been so painful! :petting: Gotta admire his
tenacity, though...

I did enjoy seeing him again. ^___^ I can still remember that 'red couch' drawing! ;)
I need to do some more artwork myself... :blush:

--
A good thing to remember is somebody's got it a lot worse than we do. ~Joel Osteen

No man is poor who can do what he likes to do once in a while!
~Scrooge McDuck
:iconreyelene:
Cute representation of Andy Warhol. :D Out of curiosity, why did you choose a bird?

--
\"Anger is really a healthy emotion that\'s good for you. It just doesn\'t LOOK pretty.\"--Myself

\"This is really dangerous, but worth all the effort. I\'m going to prove the impossible really exists!\"--Bjork
:iconmlle-relda:
Why did you chose those particular scenes from Warhols life? I did many scenes and/or moments of his life. These just happened to turn out the best. :giggle:
Some aspects were taken from Philosophy of Andy Warhol: From A to B and Back Again and Andy Warhol Diaries; others from biographies. I particularly adore Philosophy because of the insight into a quirky, complex man who was a loner though he had hundreds of friends. From actual events, favourite real-life photographs, film scenes, or funny antidotes.

Why did you choose the animal you did to represent him? Originally, this Andy was meant for the Darkwing Duck pastiche about the origins of the villain Splatter Phoenix. In DWD, the population, as a majority, were avian. I didn't want to make him a duck because it was commonplace and I ended up with a tiny curved beak; it was too small for a parrot, so I refer to him as a parakeet. Warhol was her idol and mentor. And they were close friends until his death in 1987 But this character was, to my surprise, strong enough to stand on his own.
Also, I don't think I'm very good at creating original characters that are human. I understand animals better than humans. I'm just rather good at anthromorphing. That's really it. :shrug:

What significance does he have for you, the artist, and why, as a viewer, should I be interested? I confess I idolise the real Andy Warhol, as an artist and as an individual. He and his work enlightened me into the greater sphere of what art can do and what art can be. And I have evolved, hopefully for the better, as an artist, due to his influence. He wasn't afraid to be himself and try something new. I try to do the same.
As a viewer, I think Warhol said it best, "An artist is someone who produces things that people don't need to have but that he -- for some reason -- thinks it would be a good idea to give them." I did this piece of art; I like it; I want to share it and show it to others; and maybe, in some way, you might like it.

Is there a purpose behind this, what aspects of the character are you trying to bring to the viewers attention? I think when most see an image of Andy, or hears his name, people probably just think "wacko artsy-fartsy in a wacky wig"! But he was more than that. Andy was such a unique personality. He was a complicated man. He had quirks and he had weaknesses. And he had an amazing, rare life. His work and career speaks for itself, but I want to show what was behind all of that.


--
"P-p-please, Eddie, you know there's no justice for toons anymore? If the weasels get their hands on me, I'm as good as dipped" (Roger Rabbit).

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July 15, 2007
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